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Exploring our fascination with rockets

At his Madison Square Garden event a week before the election, Donald Trump went on an extended riff about the famous “chopstick” maneuver of Elon Musk’s Space X.

In describing his slack-jawed amazement at watching the feat – the first stage of a Starship rocket returning to the launch tower upon coming back to Earth – Trump spoke for all us.

The various videos of the operation that witnesses have posted online never get old. It’s not just the technical achievement – the joyous awe of spectators is itself wonderful to behold.

The other day, President-elect Trump took time off from forming his new administration to travel to South Texas with Musk to observe another test launch of Starship, and why not? Rockets are an enduring object of human fascination, and Space X is bringing an appropriate sense of brio to one of mankind’s coolest ventures.

Modern rocketry is the product of a couple of centuries of human thought and ingenuity, from the 13th century when the Chinese used “arrows of flying fire” to fight the Mongols, to Newton’s 16th century work on laws of motion, to the experiments of Robert Goddard early in the 20th century, to the advances driven by World War II and the Cold War, to, of course, the Apollo missions to the moon.

A rocket launch is literally spectacular. It is a feast for the eyes and an assault on the ears, as a tall, thin projectile is, after a controlled explosion, propelled upward on a raging plume of fire.

The iconic 1969 launch of Apollo 11 on the sleek, instantly recognizable Saturn V rocket emblazoned with the words “United States” in red lettering remains a thing of beauty, and an unmatched symbol of 20th century technological achievement.

A rocket is otherworldly in more than one sense. A car can be analogized to a horse. A plane can be analogized to a bird. A rocket is like nothing in nature. And it promises to take us to worlds beyond our own, whether outer space, or the moon, or, if Musk can achieve his ambitions, Mars.

There is an inherent risk to the enterprise, making it even more compelling.

The countdown of mission control always holds a certain drama, and the announcement of “liftoff!” always carries a justified tone of triumph.

Space X’s chopstick operation had a little of all of this. The returning rocket stage looked like a Roman candle flying in reverse, and it created visible – and then audible – sonic booms as it descended.

It represented a new frontier in human achievement, since such a thing had never been done before.

And, as it hovered above the tower, the success of the test remained in doubt, until it nestled in the metal arms of the tower.

In engineering terms, it was a virtuoso performance – like watching a skater land a quadruple axle.

It looked and felt like the future.

When Musk was with Trump in Texas and demonstrated how the latest Starship test would work with a model in his hand, he looked every bit a boy smitten with the adventure of rocketry and eager to share his enthusiasm.

That, in large part, is what Musk is, but no one should mistake the seriousness of his achievements. For all that rockets are supposed to be cutting edge, there was a decades-long period of stagnation in launch costs until Musk came along and revolutionized the business with his entrepreneurial mindset. Now, launch costs have radically diminished and Musk alone operates 10 times more satellites than any other country or company, according to Ars Technica.

The tests of Starship, the world’s largest and most powerful rocket, are the latest iteration of Musk’s approach of rapid innovation toward the goal of sending men to the moon again, and then Mars.

It is an expression of a basic human instinct for exploration and adventure, with the rocket as its symbol and vehicle.

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Rich Lowry is a syndicated columnist, author and political analyst who is a frequent guest on NBC News and Meet the Press. He has written four books.

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